Which shutter speed will give you the look and feel you want when you’re shooting motion? Victor Ha explains how to select the right setting and why it’s a good idea to keep a set of neutral density filters in your video bag in this tip from HDSLR Video B

Photographer Jim Zuckerman explains how to use foreground elements to create engaging compositions in the third article of his fifteen-part series on landscape photography.

ILFORD has expanded and improved its line of fine art inkjet papers, making new finishes and weights available. Joshua Fischer gives an overview of the new papers.

What do you get when you cross a photo school graduate with a funnyman? We didn’t know either, so we asked Timothy Bailey, a New York-based commercial photographer who has built a career by blending technical chops with humor since graduating from Art Cen

The veteran photography educator talks about how he uses new technologies in the classroom; his long-term large-format project, The Italian Portfolio; and what he learned from Ansel Adams about being a mentor to the next generation of photographers.

Allison Earnest explains how to evaluate, manipulate, and meter incident and reflected light to sculpt a portrait.

In this summer school session, Jeff Curto briefly discusses Czech photographer Jaroslav Rossler, oddly surrealistic American photographer Ralph Eugene Meatyard, and preeminent war photographer Robert Capa.

Photographer Jim Zuckerman explains how to keep foreground focus sharp in the seventh article of his sixteen-part series on composition.

Resource Magazine provides a step-by-step rundown of how to measure a space, sketch a set, and impress the crew with your engineer-like precision.